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You know those simple games that surprise you by how much fun they can be? Hobo is exactly that kind of gem. You play as a scraggly wanderer who, for reasons never quite explained, goes around decked out in rags, scarf, and a beard that’s seen better days. The whole thing runs on just one action button—press it, and your streetwise protagonist swings his fist (or an improvised weapon) in ever-escalating combos. It’s ridiculously addictive watching that tiny hobo clear out an alley of toughs with nothing but grit and a sturdy garbage lid.

What really hooks you is the mix of straightforward combat and cheeky humor. Every time you stomp a punk in a leather jacket or send a mugger flying with a well-timed bash, you get this satisfying “clunk” sound and a shower of pixelated guts. There are health pickups in the form of empty whiskey bottles, which only seems fitting, and every level ends with a larger-than-life boss that forces you to rethink your one-button strategy. It’s old-school in the best way: no tutorials, no hand-holding, just “go forth and punch.”

Visually, it leans into that rough-around-the-edges Flash-game charm, with jagged sprites and a moody, graffiti-splattered backdrop. The soundtrack is basically a loop of mud-splattered guitar riffs that somehow never get annoying—if anything, it amps you up each time you clear a group of muggers. And when you finally take down a boss riding a shopping cart or swinging a spiked bat, you feel like you’ve truly conquered the mean streets.

Best of all, Hobo is one of those titles you can jump into for five minutes or five hours, and it always feels satisfying. It’s more of a punchline wrapped in a fighting game than a deep RPG, but sometimes that’s exactly what you need when you want to blow off steam. By the time you wander off, you’ll be humming its gritty theme tune and wondering where to find your next one-button challenge.